Lee Goettl - AudiobookRushAudiobookRush

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The Rush Listening Isn’t Less Than Reading Narrator Audiobooks Rivalling Hollywood Blockbusters for A-List Stars Industry Audiobooks Rivalling Hollywood Blockbusters for A-List Stars Reviews Maya: Seed Takes Root Lists An Intimate Portrait of Princess Diana by Her Brother and… The Rush How to Fall in Love with Audiobooks Narrator Bridgerton’s Yerin Ha to Narrate Audiobook of Min Jin Lee’s… Industry ‘Who Gets to Listen. Whose Stories Are Available:’ The African… Reviews Welcome to Your Life Lists US Audiobooks Top 10 The Rush Listening Isn’t Less Than Reading Narrator Audiobooks Rivalling Hollywood Blockbusters for A-List Stars Industry Audiobooks Rivalling Hollywood Blockbusters for A-List Stars Reviews Maya: Seed Takes Root Lists An Intimate Portrait of Princess Diana by Her Brother and… The Rush How to Fall in Love with Audiobooks Narrator Bridgerton’s Yerin Ha to Narrate Audiobook of Min Jin Lee’s… Industry ‘Who Gets to Listen. Whose Stories Are Available:’ The African… Reviews Welcome to Your Life Lists US Audiobooks Top 10

What was the first audiobook you performed?

Passive Income by Jim Walker

What title or series are you best known for?

The Jake Adams Series by Trevor Scott

If a listener wanted to get to know your work, which of your audiobooks would you point them to?

Zenith Man by McCracken Poston Jr.
1942: Crux of War by Jonathan Parshall
Jake Adams Series by Trevor Scott
Where You’ll Find Me by Ty Gagne
Turn Your Life Into Art by Caveat Magister

Where else have we heard your voice?

Commercials-MillerCoors

What do you always have in the booth?

Water, Bee & You throat spray from Trader Joes, and a tin of Grether’s Pastilles. Must haves.

How did you come to performing audiobooks?

I always wanted to do it, but never had the time or equipment. Then I had a lull in employment and had heard of ACX. I auditioned for a title, got it, and kept working from there!

Anything else you’d like a listener to know?

Always keep training, always keep learning. There is no “good enough” in audiobooks, if you want to stay competitive and stay on a producer’s radar. Go to conventions, and most of all, READ!

Lee’s website, socials, and where to start on NarratorRush.

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