Last updated: May 2026
AudiobookRush is independent audiobook journalism. This page describes how we operate, what we publish, and where the lines are.
We exist to make audiobook listeners feel seen and to make narrators feel celebrated. We cover the medium with curiosity, respect, and zero shame about loving it. We don’t take sides between platforms, between formats, or between traditional and self-published authors.
AudiobookRush operates a five-tier content model:
Tier 1 — Aggregated feeds. We pull headlines and excerpts from 35+ industry sources (including publishers, the trade press, and narrator and listener communities). These appear primarily in Narrator News and Industry News. Every aggregated post links to its source and credits the original publisher.
Tier 2 — Curated alerts. We monitor industry keywords and surface stories that the automated feeds miss. Same attribution rules.
Tier 3 — Editor’s Picks. Weekly hand-selected posts with original framing, drawn from the aggregated feeds plus our own editorial reading. Editor’s Picks reflect our taste, not paid placement.
Tier 4 — The Rush. Original editorial. Written by AR staff and invited contributors. Five sections (At the Mic, Field Guides, Top Shelf, Inside the Industry, Rush Voice). Fully credited, fully editorial, never sponsored.
Tier 5 — What’s New sponsored listings. Publisher-paid upcoming-release listings, clearly labeled “Sponsored.” See the Sponsored Content section below.
When we surface a story from another publisher:
For content we write ourselves:
We accept sponsorship only in two places:
Sponsored What’s New listings. Publishers may pay for an upcoming-release listing in our What’s New section. Each sponsored listing carries a “Sponsored” label on the card. Sponsored What’s New listings:
Display advertising. Standard ad zones (billboard, leaderboard, in-content) carry “Advertisement” labels. We may decline ads we find inconsistent with our editorial values.
What we don’t do: sponsored articles, sponsored reviews, paid placement in Editor’s Picks, paid mentions in The Rush, or affiliate-influenced rankings. If an editorial piece recommends a title, it’s because we recommend it.
AR staff and regular contributors disclose conflicts of interest in any article where they apply. Examples: a contributor cannot review a book by their spouse, a publisher they work for, or a narrator they represent. We err on the side of disclosure.
We correct errors of fact promptly. When we update an article to correct a factual error, we add a dated correction note at the bottom of the article identifying what changed. Minor typo fixes are made without a correction note. If you spot an error, email hello@audiobookrush.com.
We will consider removing aggregated content at the request of the original publisher. We will consider removing original content if it contains a verifiable factual error we cannot correct, contains material we don’t have the right to publish, or violates someone’s privacy in a way that can’t be addressed through correction. Email press@audiobookrush.com for removal requests.
We’re early in our publishing history, and we want to publish a broad range of voices — narrators, listeners, authors, and industry figures from different backgrounds. We’re working at it. If you have feedback on who we should be covering more, we want to hear it.
Editorial questions: press@audiobookrush.com
Tips and pitches: press@audiobookrush.com
General: hello@audiobookrush.com
RushList subscribers hear first about our upcoming newsletter, new site features, and behind-the-scenes notes. Never sold, never shared. Unsubscribe anytime.